During discussions about materials published in the HE (presumably referring to a platform or publication), it became evident that a considerable number of users had a keen interest in Bronze Age weaponry, specifically the weapons and armor associated with the legendary Trojan War. This topic, rich with intrigue, encompasses familiar stories that are ingrained in our collective consciousness, akin to narratives found in fifth-grade school textbooks. References such as “Copper spears,” “Helm-helm Hector,” and the “famous shield of Achilles” all trace back to this historical epoch. Moreover, the event itself, shrouded in myth and history, holds a unique allure as it was transmitted through poetry and artistic works, offering a glimpse into a culture previously unknown to many.
A noteworthy artifact connected to the Trojan War is a black-figured ceramic vessel from Corinth, on display at the Metropolitan Museum in New York. Dating back to approximately 590 – 570 BC, this piece vividly depicts characters from the Trojan War, adding a tangible dimension to the ancient tales.
To delve into the historical context, it’s crucial to acknowledge that the myth of Troy being besieged by the Greeks lacked convincing confirmation until the late nineteenth century. Heinrich Schliemann, driven by a romantic childhood dream, received substantial financial backing and embarked on a quest to locate the legendary Troy in Asia Minor. Despite the absence of mentions of Troy after 355 AD, Schliemann, relying on Herodotus’s description of Ghisarlyk hill, conducted extensive excavations from 1871 until his death over 20 years later.
Schliemann’s archaeological approach faced criticism, with doubts about whether the discovered site was indeed Troy. However, with the support of British Prime Minister William Gladstone and the inclusion of professional archaeologist Wilhelm Dornfeld in his team, the secrets of the ancient city gradually unfolded.
One of the most surprising discoveries was the identification of nine cultural layers, signifying the construction of multiple Troys, with the oldest being Troy I and the “youngest” being Troy IX from the Roman era. Presently, there are a total of 46 layers (and sub-layers), making the study of Troy’s history a complex endeavor.
Contrary to Schliemann’s belief that Troy II was the sought-after Troy, evidence points to Troy VII as the actual city. The city’s demise in flames, supported by remains found in this layer, poignantly indicates a violent end around 1250 BC.